Shot in Brooklyn, New York John Cameron was the Visual Effects Supervisor of the shoot using a combination of motion control camera work along with smoke room and blue screen swing and cloud head shots. Leading the post creative and pipeline creation, John oversaw a team of visual effects artists located in Los Angeles and Montreal executing over 80 shots.

Particle simulations for the cloud head were created from scratch as well as CG cloudscape environments for the blue screen swing shots. The smoke room shots used dynamic particles and plate work.

Motion control shots comprised of layers of takes shot on set and composited together with CG elements.

Directed by Hannah Lux Davis

DP: Chris Probst

Producers: Fuliane Petikyan + London Alley

VFX: META Productions + Real by Fake

Colour Grade: Company 3